Jonathan Boulet, Sydney

Current band rollcall?
Jono Boulet - Guitars/vocals
Ravi Gupta - Guitar/vocals
Rebecca Shave - Keys/vocals/percussion
Dave Rogers - Bass/vocals
Tim Watkins - Drums
You - handclaps/vocals

Jonathan Boulet has been (musically) around since …
Always been writing music, put first album together a couple years back just after high school was done. It was just a collection of songs I recorded over the years.

Let's play Six Degrees of Jonathan Boulet. What are some interesting musical links you could come up with?
The guitarist from my other band (Parades), his hairdresser is the the ex-girlfriend of one of the guys from the band Cult of Luna.

First song ever written?
I used to do a bunch of electronic stuff, and I've got hundreds of four-bar loops that I made with my keyboard during high school. But the first one I ever released to the public would be a song called Storm's A-Comin'. That was the first track I recorded properly, the first time I got some good microphones and an audio interface.

Music making for you began when …
When we started our first band with the guys from Parades, we were in a punk/hardcore band. All we ever wanted was to be known as the wildest, craziest band around. So the aim at every show was just go as nuts as our bodies would allow.

Most unusual sound/instrument you've used in your music?
Cupboards, doors, coconuts, cars driving by. I sampled a British cousin saying 'wicked' once just 'cos I really liked his accent.

Strangest gig you've ever played?
No strange gigs yet. Mainly because I haven't played any as yet. But I'm sure I'll have some kind of answer once I'm done with Tame Impala …

Do you pin up images when recording to help inspire your songs? (Or put up other things in the studio for the same effect?)
Not really. Sometimes it's fun having lava lamps and such. We've had this crazy star projection thing before, though. You turn all the lights off so it's totally dark, then when you turn this thing on, it projects thousands of stars onto the roof and walls. It's really crazy 'cos they're moving really slowly … but it doesn't help because you're too busy being blown away that you can't get anything done.

Unlikeliest thing to influence your music?
Punk/hardcore music. I can't really cite specific songs or parts where the influence show through, but I know it's there. There's alot of great ideas and vibes in that style of music and it's always good to be open to anything.

Most unconventional topic you've covered in your lyrics?
That's a hard one because, for most of my lyrics, I'm not even sure what they are addressing.

If you had to offer any of your lyrics as love advice (or life advice), you would offer …
Nil.

Most useful lyrics you've heard in a song?
"In the wake of our existence, in our parades and in our dances; touch, see and behold the wisdom of the party program. Essential in our lifetime and irresistible in our touch, the great spirits proclaim that capitalism is indeed organised crime and we're all the victims. This next one is called Refused Party Program."

Do you think the country/city/town you live in affects your music in any way?
Yeah, for sure. The environment you're in, in general. I'm getting really sick of this garage and I think it affects the way I write music. Like I can't get inspired to write fresh sounds when I'm in a place that I know so well. So when it comes to writing the next record, I'm definitely going to do it in another room.

You would love to record with ...
A massive crowd. Like, hundreds of people recording the vocals at the same time. That would be epic.

Favourite person you have performed with/recorded with …
Seekae, Megastick Fanfare, Ghoul, Bearhug and Sherlock's Daughter. All super-promising bands on the up and up.

Outside of your solo music, you spend your time …
Skating, writing music, Parades, Snake Face, trying to be artistic.

Next for you is ...
This Tame Impala tour, followed by some intimate Sydney shows, and the official release of the record.

If record stores had to come up with a new genre name to file your music under, it would be called ... (feel free to come up with the craziest-sounding-yet-most-accurate name)
"This music is OK."



A CD burn wrapped in an old journal called Modern Medical Counsellor was my introduction to Jonathan Boulet. Then 19 years old, he’d dropped off a demo at FBI’s Music Open Day late last year. It was sealed together with masky tape and had a computer-printed set list. After All was the first song I totally fell for and I loved it even more when I later discovered the shuffly percussion came from him jumbling cabinet drawers open and shut. Continue Calling, with its Animal Collective-esque pop-racuousness, was the single we played on FBI.

Earlier this year, his music got picked up by a New York label, Evident; made the run of coolsy music blogs, and Community Service Announcement became wonderfully unavoidable. A great great song that was part of the new self-titled album, repackaged with additional songs from that first demo. I asked him to come onto Local Fidelity for a chat and song and he brought an army of people, a kick drum and great stories to tell. (The coconuts referred to in one of the answers above are actually from a coconut bikini that his grandad wore at a Hawaiian-themed party. Perfect.) I’ve never seen so many people packed in the FBI studio, and they all hollered along beautifully to Continue Calling, it was a test-tube version of the live performance that he wanted to do on a real stage. And now, after shunning venues for so long – exiling himself so he could experiment with how to recreate his inviting music live (and I mean literally ‘inviting’, because he wants your voice to meld in the noise coming through the amps), Jonathan Boulet is finally doing a run of shows and what a start: supports with The Middle East and Dragging Pianos, Tame Impala and El Perro Del Mar. I cannot tell you how excited I am.


Head to his MySpace for all the essentials. You'll want to keep track.

Denim Owl, Melbourne

Current band rollcall?
Organ/synth-playing and singing words: Denim Owl.
Real name: Janita Foley.
Drums, loops and samples: Brain Cobra.
Real (ish) name: Aleks Bryant.

Denim Owl has been around since ...
3rd November 2006. On that day, I was at my friend Simon’s house and whilst in the loo, I came up with the name Denim Owl. Then I went in to his studio and recorded a skeletal version of Kitten Gloves on a Bontempi air-powered organ and er … um … made a MySpace page.

Let's play Six Degrees of Denim Owl. What are some interesting musical links you could come up with?
I'm friends with this guy Jamie Mildren. You may have heard of his band Slo-mo Speedboat? A band to watch! Jamie plays pretty, slo-mo style kalimba on Chattering Face (When The Hammock Hits Quartz).

First song ever written?
A silly song called Tiger On A Holiday written with my younger siblings. It was about a tiger who flees the jungle to go on holiday but it sucks, he gets yelled at by people on a beach and also by a butcher. They freak out when he opens his mouth to speak, as he can only “roar” or “grrr”. It’s quite important on a political level.

Music making for you began when ...
My pop bought my sister and I a Yamaha Organ when I was about eight. We rocked Supercalafragilisticexpialadocious like bitches on wheels. About age 13, my parents bought me a keyboard and I started composing proggy keyboard pieces. Those were the days!

Most unusual sound/instrument you've used in your music?
The sound of our cat Wind Panther “meowing” at the very start of Kitten Gloves. I had to give him a little squeeze to get him to perform. Sorry Windy, but you got to be on my record. That was the deal.

Strangest gig you've ever played?
We played in Tokyo last year, a set of Ramps and Denim Owl songs to backing tracks. It was quite strange to be doing it at all. At one of the shows, we wore white surgical masks and we drew sharks' mouths on them. Somebody pointed out afterward that we were wearing the masks upside down. Hilarity ensued.

Then all the indie kids lost their collective shit over our Omnichord. Which was strange given that they are made in Japan. We assumed they’d have thousands of Omnichords, clogging up waterways, etc etc. Apparently not!

Do you pin up images when recording to help inspire your songs?
We do have a picture of the cosmos (or a segment thereof) up in our studio. Last night, we were rehearsing and I was staring into it. And it was indeed inspiring. I think I will do this for the next record. (Some patterned wallpaper samples from the sixties might also rock.)

The best thing is nature. Staring at nature is top of my list for getting inspired. Especially gardens. But studios are always dark windowless places. Patterns and cosmos are more realistic image choices. And kittens. Kittens are a given.

Unlikeliest thing to influence your music?
Reverb.

Most unconventional topic you've covered in your lyrics?
I recently wrote a song that was partly inspired by a story by Miranda July. It’s called The Swim Team. The story is about a woman who teaches old folks to swim in her house. It’s a gas. My song is about a couple creating a nautical fantasy in their living room. It’s about escapism, and the way pointless intellectualising can dilute another’s experience of joy. I think.

If you had to offer any of your lyrics as love advice (or life advice), you would offer ...
“There’s bacteria in the water, so we must drink alcohol.”

Most useful lyrics you've heard in a song?
“He was smiling through his own personal hell
Dropped his last dime down a wishing well
But he was hoping too close
And then he fell
Now he’s Casper the friendly ghost”
That's Daniel Johnston unravelling one of life’s looming questions: who was Casper the friendly ghost, pre-death? When I read those comics as a wee 'un, it never occurred to me that he died penniless and in a desperate bid to gain respect from society. He was just a nice dead dude.

Do you think the town you live in affects your music in any way?
Yes. I was really glad to move to Brunswick (an inner suburb of Melbourne) and importantly, away from TRAM NOISE. I don’t mind it so long as I don’t have to hear it all the time. Silence is an enormous golden statue of an adorable fluffy penguin. It is a valuable lawn ornament. And Melbourne is a pretty stimulating place, compared to lovely laid back Launceston (Tasmania, where I come from).

Living in Melbourne, I appreciate the fact that I can feed off the city's energy, but still maintain a decent level of solitude. Also, there are many opportunities to perform here which raises the value of live shows; so Melbourne should, by that logic, be populated by amazing live bands. We are endeavouring to be at least an above-average live band!

You would love to record with ...
Yoshimi from OOIOO.

Favourite person you have performed/recorded with ...
Aleks and the (other) Ramps.

Outside of Denim Owl, you spend your time ...
The first rule of Denim Owl is, there is no outside of Denim Owl.

Next for you is ...
Writing songs for a feature-length extravaganza on ice.

If record stores had to come up with a new genre name to file your music under, it would be called ...
... Misc.

Somewhere along the way, 'quirky' got hijacked as polite codeword for 'annoying'. To me, the term still means 'endearingly eccentric' and is a compliment rather than a putdown, and I would apply it as I would a gold-star to Denim Owl's music. The goofy lyrics (particularly on songs like Red Leather) seem to act like a jokey decoy, aiming to distract you from how lush Janita's vocals are (like sticking a fake-moustache on a pretty woman's face). And all the about-turns and offbeat tricks in each song almost does sidetrack you from the main attraction, but her voice is this lovely haze that's hard to ignore. Dream Pocket is the name of Denim Owl's latest EP and it's been something of a stayer for the last few months. Click on her MySpace for more details.

A Casual End Mile, Sydney

Current band rollcall?
At the moment it's all just me (Madelaine Lucas), live and recorded.

A Casual End Mile has been around since ...
February this year in a public sense, when I started played my first show. But I’ve been using the name for my collection of home recordings I’ve collected on and off for a year or so.

Let's play Six Degrees of A Casual End Mile. What are some interesting musical links you could come up with?
My dad, Steve Lucas, was/is the front man of the Australian band X. A lot of people have asked me how you’re supposed to rebel as teenager when your father is a punk rock musician. I guess I did it by making acoustic folk music.

In terms of the local music scene, I recently I played an FBi fundraiser show with Daisy M. Tulley (Bridezilla). Her music is inspiring and beautiful and makes me want to cry sometimes ... Even when she throws in the occasional ‘motherfucker’.

I've also played shows with And Then To Bed, and medieval music maestro Jack Colwell, who has also done a wonderful job setting me up with shows this year.

First song ever written?
I wish I could remember, but I was always making up little songs when I was younger. I’m sure it was awful! I think the first I put under the name of A Casual End Mile was called Too Little, Too Late. It was a three-chord country song that went for about two minutes.

Music making for you began when ...
I traded ballet for trumpet lessons when I was eight.

Most unusual sound/instrument you've used in your music?
Unintentionally, the noise of my little brothers creating chaos in the hallway outside my bedroom got trapped in a love song.

Strangest gig you've ever played?
I think every gig is strange in its own way. The first show I played this year was on a farm, on Valentine’s Day, and it rained the entire weekend. During my set, all this smoke appeared and I thought I was going to be electrocuted ... but it turned out that it was just a secret smoke machine, self-activating.

The gig I played at the Bridge Hotel in April was also strange, because it was my first in Sydney playing a lot of new stuff, and I was introduced by a comedian with a very bizarre sense of humour, which became quite awkward considering the intimate atmosphere of the evening.

Do you pin up images when recording to help inspire your songs?
Not really. My inspiration comes mostly from subconscious pickings of things that I have felt, or seen or read or heard about. If anything, I’m more likely to be inspired by beautiful combinations of words in books or poems, rather than pictures.

Unlikeliest thing to influence your music?
I think I am influenced by pretty standard stuff – loving, breathing, heartache, death, boredom, the weather. I suppose I am inspired by a lot of different genres of music though, and listen to folk music less than bands like Pavement or Animal Collective at the moment.

Most unconventional topic you've covered in your lyrics?
Anthropomorphism.

If you had to offer any of your lyrics as love advice (or life advice), you would offer ...
“Let me be your woman”!

Most useful lyrics you've heard in a song?
Maybe the lyrics in More Adventurous by Rilo Kiley, in terms of poignant advice. I also like the sentiment, "Someday, we’ll be dignified and old", from the Modern Lovers – there’s something comforting there. I guess any lyrics are useful if they can relate, or mean something to another person.

Do you think the town you live in affects your music in any way?
Definitely. Cities have souls, and things like the weather, buildings and people are definitely things that influence me. I love Sydney, with its beautiful cityscape, and the scene of creative people which expands all the time, but I would like to live somewhere else for awhile and see what I would come up with in a completely different environment.

You would love to record with ...
An entire symphony orchestra! Even though it would be incredibly difficult, I think it could be amazing.

Favourite person you have recorded with ...
I just did some home recordings with the lovely Ms. Pia May (Bridezilla). It’s been nice to record in someone else’s bedroom for a change, and it’s amazing how much just one other person can bring to a song, and make it come alive. Plus, our music dates always involve a lot of tea and caramel crowns.

Outside of A Casual End Mile, you spend your time ...
With my friends, running around the town, staying up too late, working in a kid's bookstore, drinking tea, talking ... And sometimes going to uni.

Next for you is ...
Recording another new project which I’m really excited about, and hopefully more A Casual End Mile gigs soon to keep me out of trouble!

If record stores had to come up with a new genre name to file your music under, it would be called ...
bedroom–folk.

Sometimes you hear a singer for the first time and your heart forgets itself entirely. Unskipped beats pile up, waiting for you to remember to unpause, but music has a funny way of playing cardiac traffic cop - it takes a while for everything to return to normal.

It's rare to single out a moment like that, but when I first pulled A Casual End Mile's demo from the weekly mountain of CDs, it was like that completely. Madelaine Lucas' voice is the kind that rewires your memory. Like Hope Sandoval, her words are quiet and spellbinding, able to make the most unadorned songs sound dreamy. A Casual End Mile is one to keep listening to, pay attention here.

Williams Break, Sydney

Current band rollcall?
Richard Seeney, Henry Wolfson & Tim Stroh.

Williams Break has been around since ...
We first formed in 2006, just after we finished school.

First song ever written?
Stantation of Astonishmentation.

Music making for you began when ...
Henry bought a laptop with Reason and Cubase.

I know it's cliched to ask, but how did you get your very unusual band name?
We came up with it one day when brainstorming and we stuck with it because it's very open to interpretation. So far, the most popular responses from people have been a place, a person or a "type of break" e.g. supper, brunch, that sort of thing. To us, it has a few of its own meanings but we prefer to leave it up to others to judge for themselves.

Most unusual sound/instrument you've used in your music?
We've listened to it all too many times to be able to tell anymore.

How do you come up with song titles when the music is mostly electronic instrumentals?
They’re usually made up from what words come to mind when we hear it, for example, Last Words Of A Dying Robot, because we thought that’s what it sounded like. But then again, a few of them are just completely random.

Strangest gig you've ever played?
As Williams Break, that’s yet to happen.

Do you pin up images when recording to help inspire your songs?
Not really, we do have posters up in the studio but most of our inspiration comes from the sounds and images of everyday life.

Unlikeliest thing to influence your music?
The Catholic Church.

Most unconventional topic you've covered in your lyrics?
None of our lyrics are really what you would call "conventional".

If you had to offer any of your lyrics as love advice (or life advice), you would offer ...
"Computer Marines": work that one out.

Most useful lyrics you've heard in a song?
"Pardon me while I burst into flames."

Do you think the country/city/town you live in affects your music in any way?
Definitely, music is the soundtrack to our lives, it evokes the feelings, smells, tastes and sounds around us.

You would love to record with ...
Any of the great symphony orchestras, Air, Trent Reznor, Josh Homme - this list could go on forever ...

Favourite person you have performed/recorded with ...
Ebony Naiun and Adelie Battam were both amazing artists.

Outside of Williams Break, you spend your time ...
We all have our little side projects that we work on, but most of our time is spent working so we can fund these projects. After that, there isn’t much time for anything more than just kicking back and relaxing.

Next for you is ...
Complete and total domination of the world.

If record stores had to come up with a new genre name to file your music under, it would be called ...
Ecclectronica.

It's hugely galvanising when you play a song on the radio and someone listening instantly needs to know what you're spinning. This happened with Would You Please by Williams Break, a song which pulses and stutters so precisely and beautifully, with notes and beats being batted back and forth at micro-distances, until the song relaxes and breezes to a game-over close.

It appears on the Local Fidelity FBI-fundraising compilation, on-sale online ($12) here and also the upcoming Williams Break album, out "around September-ish". If it's anything like past material - it should be endlessly listenable. Keep clicking for Williams Break news here.

Dragging Pianos, Townsville

Current band rollcall?
I record most of it, but I'm a lousy performer so I get help from Bree (The Middle East) live. Some other Middle East guys have offered their services if I came on tour with them.

Dragging Pianos has been around since ...
2008.

Let's play Six Degrees of Dragging Pianos. What are some interesting musical links you could come up with?
I live with the Middle East. They practice downstairs. They don't play their hits much – it's usually a set of silly novelty songs inspired by Halo 2. Maybe they'll play them live if you request them (You will Respawn, Eagle for The Kill, Take A Bit of My Shield).

Nathan Roche (Marf Loth) is the most charming man in Sydney. I was going to release my records through his label Artgound Records but he's proven himself to be totally and utterly incompetent, which adds to the charm all the more.

The best man at my dad's wedding (and vice versa) is Phil Jamieson's father. It's unfortunate because I can't see Grinspoon fans having much love for my songs.

First song ever written?
Someone Else, a punk rock song in B minor. It was intended to be a profound statement against bullying. It was very very lame but I was only 13 at the time. I wrote a whole EP of songs similar in nature that I hope no one else in the universe has access to.

Music making for you began when...
I moved to an Aboriginal community in NT and wasn't into motorbikes like the other boys.

Most unusual sound/instrument you've used in your music?
Bees.

Strangest gig you've ever played?
Under 13s rugby league grand final.

Unlikeliest thing to influence your music?
Ronn Moss's I'm Your Man. I don't know why, but the hit song One More Try just kills me. I wish I could have seen him at one of his shopping centre appearances when he was in Australia.

Most unconventional topic you've covered in your lyrics?
Preparation of food.

If you had to offer any of your lyrics as love advice (or life advice), you would offer ...
I thought pretty hard about this and I've concluded that my songs are not practically applicable to life. Not even metaphorically.

Unless of course you want to go back 1999 (teenage punk rock days), where I had a reservoir of wisdom that I was more than willing to share in my songs. "Open up your eyes, forget those lies" (about racism); "You gotta see a friend's fortune as a blessing" (about jealousy) – the messages weren't very subtle.

Most useful lyrics you've heard in a song?
In Xmas Card From A Hooker in Minneapolis by Tom Waits:

"Wish I had all the money
We used to spend on dope
I'd buy me a used car lot
And I wouldn't sell any of them
Just drive a different car everyday
Depending on how I feel"

It's probably not that useful but it's a wonderful thought anyway.

OR

The story in The Gift by The Velvet Underground. Next time I need to get somewhere cheap, I'll know what to do.

Do you think the town you live in affects your music in any way?
Yes. I guess the isolation brings people together – the Townsville music scene is very close. People encourage creativity a whole lot. We put on our own shows in condemned warehouses and in art galleries – it's really great.

You would love to record with ...
A bunch of good songs, a lot of instruments, and good recording gear. (Maybe Mark Linkous as well).

Favourite person you have performed with/recorded with ...
Jake Core – he's a good friend and an excellent songwriter.

Outside of Dragging Pianos, you spend your time ...
Studying. Stacking shelves at Coles.

Next for you is ...
Finishing off a cardboard piano I've made for live shows. It will make a lousy little midi keyboard look like an old red piano. It's magnificent.

I'm also writing/recording songs about love at the moment. The EP is going to be called In The Desert.

Also I'm hoping to release The Food Chain which is an EP I recorded last year. It's based off a little story that appears in every song.

If record stores had to come up with a new genre name to file your music under, it would be called...
REDUCED FOR QUICK-SALE.

Dragging Pianos appears on the Local Fidelity compilation that I put together to help raise money for FBI. You can get it online here for $12 postage paid or $10 at certain Save FBI fundraiser gigs. All proceeds go to keeping FBI on-air.

Food Chain #2 by Dragging Pianos is one of the many great reasons to hunt it down – hushed and gorgeous, your heart would have to be deepfrozen to not like it, it's one of my favourite songs for a long time. It appears on the upcoming re-release of The Food Chain EP. You can find out more about Dragging Pianos here.

Save FBI 94.5FM at the Metro

Photo of Sherlock's Daughter by Will Reichelt, willreichelt.com

Sometimes it's hard to know what to do with a public holiday. Wanting to maximise this bonus day off, you can get sidetracked by all the choices and end up doing nothing!

This Queen's Birthday, the decision was pretty easy. The music-savvy folks at Spunk Records had kindly organised a FBI 94.5FM fundraiser at the Metro with a brilliant line-up: New Buffalo, The Middle East, Machine Translations, Firekites, Sherlock's Daughter, Megastick Fanfare just to name some of the 30 bands who lugged their gear on stage and captivated the crowd.


Photo of Sherlock's Daughter by Will Reichelt, willreichelt.com

It was good to see Sherlock's Daughter again. I was a little sad that they didn't use the pumpkin thumb piano they mentioned on-air when they were on Local Fidelity the night before. They put on a pretty lively show though, lack of musical vegetables aside.


Photo of Tim from the Firekites by Will Reichelt, willreichelt.com

My major disappointment of the night? Learning - via Shag, from Arvos - that Firekites had done an incredible cover version of 16 Beats by New Buffalo while I was manning the FBI merch desk. I was crushed! Especially as I've been in love with that song since it appeared on Sally Seltmann's first EP back in 2001. One consolation though - Tim from Firekites says they will likely to play the song again live, because it worked so well.


Photo of New Buffalo by Will Reichelt, willreichelt.com

Semi-speaking of New Buffalo, it was great to see her play again after a long absence from Sydney stages. The good news is that she is recording a new album and we got a taste of it when New Buffalo played an incredibly upbeat song from it, dedicated to "all the ladies in the house". Apparently the record will have a much more poppier energy to it than previous New Buffalo albums.


Photo of The Middle East by Will Reichelt, willreichelt.com

The unmistakable highlight of the night was seeing The Middle East perform again. I saw them back in February - in the more squishy confines of a sold-out Hopetoun Hotel show - but it was great to see them span their wings on a much bigger stage.

The band seemed energised by the thrill of (possibly?) performing to one of the largest crowds they've played so far.

I re-fell in love with their song Blood again (a track that Shag is so smitten with, he wishes he could have a legal relationship with it - he would marry that song if he could!)

For me, watching the seven-piece band recreate it onstage was mesmerising. The part in Blood where the band becomes a racuous choir - and the song surges into full-flight harmonies - was joyously loud and heart-halting. It was one of the most amazing things I've seen live this year. I can't wait to see The Middle East again.


Photo of The Middle East by Will Reichelt, willreichelt.com

Thanks to the swarm of great people who came to the show, bought CDs, FBI bags and merch and let their coins clang into our donation buckets. Keep saving FBI through the many gigs yet to come.


Photo of The Middle East by Will Reichelt, willreichelt.com

You can also check out some more great photos of the night, taken by my boyfriend Will, who spent most of the show running from stage to stage, camera lens in hand.

Local Fidelity fundraising compilation for FBI 94.5FM

As you may have heard (if you are a keen FBI Radio listener), there's a handmade Local Fidelity CDR doing the rounds. All the songs have been kindly donated by the artists and all proceeds go to help keeping FBI 94.5FM on air.

It's also currently Album of The Week at the moment, which is staggering and really wonderful for a small-scale DIY effort that I organised mostly from my dinky room.

The set list includes a new song by SUI ZHEN, a hard-to-get track by Garage2V finalists CLUBFEET (currently at work on a Yeasayer remix), an unreleased remix of THE DESKS and a new song by THE MOTIFS. You'll also get a sneak peek of upcoming albums by SHADY LANE, WILLIAMS BREAK, JANE WOODY & ANGEL EYES. Plus, a whole bunch of bands you're about to get a musical crush on: DRAGGING PIANOS from Townsville, VOLTAIRE TWINS from Perth, SHIVER LIKE TIMBER from Tamsworth and more.


Photo of The Desks by Will Reichelt, willreichelt.com

TRACK LISTING
1. Home Is Where The Home Studio Is (Risa Dickens and Matt Hiscock remix), The Desks
2. Food Chain #2, Dragging Pianos
3. It's About Loyalty, Jane Woody & Angel Eyes
4. First Dust, Kane Black
5. D.I.L., Voltaire Twins
6. Ouch My Head, Shady Lane
7. Brightlightsbigcity, Clubfeet
8. Goldtop Mountain, Galaxy Fuzz Band
9. Would You Please, Williams Break
10. Sternwall, Brave Radar
11. Old Faces, The Motifs
12. ET & Me, Shiver Like Timber
13. My New Friend (demo), Sui Zhen



You can buy the CD for a measly $10 (for 13 excellent tracks!) at the following FBI fundraiser shows (or online here for $12 postage paid):

MON 8 JUNE – METRO THEATRE

Spunk Presents: Another Night on Earth
Sarah Blasko
New Buffalo (solo)
Jack Ladder
Firekites
Machine Translations
Songs
Grand Salvo
Megastick Fanfare
Sherlock's Daughter
Fergus Brown
Ghoul
Parades
Caitlin Park
The Holy Soul
Bearhug
Hosted by Henry Wagons
and more to be announced

SPECIAL LONG WEEKEND START TIME - 5PM

Tickets $30 + BF available from www.metrotheatre.com.au or 02 9550 3666.


Photo of Sherlock's Daughter from Tanya Horo by Will Reichelt, willreichelt.com

FRI 26 JUNE – MUM, SYDNEY

Mum and The World Bar Present: Over 3 levels...

Jordy Lane
Parades
We Say Bamboulee
Waysiders
Fait Accompli
Zeahorse
Shakin Howls
Megastick Fanfare
Sherlock’s Daughter
Richard In Your Mind
One Glove
The Laurels
and more special guests to be announced

8PM til late

Tickets $15 on sale at the door


Photo of Richard Pike from Pivot by Will Reichelt, willreichelt.com

SAT 27 JUNE - METRO THEATRE

Midnight Juggernauts
MUSCLES
Bluejuice
Dappled Cities
Decoder Ring
Grafton Primary
AIH DJs
Pivot DJs
Cassette Kids
The Jezabels
Palace Of Fire
Catcall
Ernest Ellis
P.A.S.H
HOOPS
Dangerous Dan
Jack Shit
Kato
P*A*S*H
Purple Sneakers
Ro Sham Bo
Wax Motif

New playing times: Doors open 6:30pm - 1:30am
Tickets $40+bf available from www.moshtix.com.au or www.metrotheatre.com.au or $45 if available on the door.